Forecastle Wrap-Up Reviews

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Jul 162013

J. L. Puckett at the C-J offered his take on Forecastle in today’s (7/16) issue.
Rachel Haas and Lori Keong at Paste Magazine have a Day 3 review up, with a gallery of photos by Julia Rickles and Haley O’Brian.
Adam Gold at Rolling Stone reviewed The Black Keys and others at Forecastle.
Elsewhere in the Louisville blogosphere:
Hoosier HitsBraden Lammers has reviews of Day 1, Day 2 and Day 3

Don Krekel Orchestra at The Comedy Caravan

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Jul 092013

This was the first time in ages that I have seen the Don Krekel Orchestra, a 17-piece big band. The Comedy Caravan was packed, for a send-off concert featuring trumpet and flugelhorn player Charlie Niehoff, who is relocating to Nevada with his wife. Krekel says of Niehoff: “Charlie has left a giant music footprint in the Louisville area. He was/has for many years been a regular member or first call sub for many musical groups in this area including The Ovation Orchestra, The Crusade For Children Orchestra, The Roger Dane Big Band, The West Market Street Stompers, The Rascals Of Ragtyme, The Don Krekel Orchestra, The Wednesday Night Band and The Masterpiece Brass Quintet.” The band opened with “Time After Time,” followed by a short, fun arrangement of “Take Me Out to the Ball Game.” Barbara Polk sang a medley of “Some of these Days” and “After You’ve Gone,” with lyric alterations in honor of Niehoff. “My Foolish Heart” featured Niehoff’s burnished flügelhorn. Guest June Kelly-Roy joined Polk for an entertaining version of the warhorse “Why Don’t You Do Right.” The final song of the first set, “Outback Blues,” gave almost all the musicians the opportunity to shine with solo spots.

After a brief intermission, the classic sound of Count Basie was featured on “And That’s That,” followed by “Stardust.” Saxophonist Miles Davis took over singing duties for “The Tender Trap” and “Embraceable You.” Regrettably, after just a few more songs, the power went off, and the second set was cut short. One of the things which impressed me about the performance was how the big band did not overwhelm the relatively small space. Krekel told me that, in part, this was due to the acoustics of the room, and also due too the dynamics he employs in leading the band. Bon voyage, Mr. And Mrs. Niehoff, and thanks to the Don Krekel Orchestra for a most entertaining evening.

Marbin at the Hideaway Saloon

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Jul 092013

Chicago-based band Marbin, returned to Louisville on Sunday, June 16 at the Hideaway Saloon. The members are Dani Rabin (guitar), Danny Markovitch (sax), Justyn Lawrence (drums) and Jae Gentile (bass). They opened with the appropriately titled “Bar Stomp,” a crunching blues from their second album, Breaking the Cycle. Next up was the funky “Redline,” from their most recent release, Last Chapter Of Dreaming; both these albums are on MoonJune Records, a fiercely independent label specializing in fusion and prog ( “Loopy” featured sax processed through a harmonizer, for an intriguing sound. “The Depot” was a shredfest for Rabin. They closed the first set with a new piece, “Special Olympics,” with an intro that sounded like updated Santo and Johnny, before turning the corner into heavy riffing and furious playing. This band tours some 300 nights a year, and they are great fun. It’s a shame that they are not yet more widely known, as there are not that many bands playing with this energetic blend of funk and fusion.

Appalatin CD Release Show at Headliners

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Jul 092013

Appalatin has just released its second album, Waterside, and celebrated with a party at Headliners. And party they did, with giveaways of their new disc and other merch, not to mention having some of their musical friends join them onstage. As the band’s name implies, Appalatin plays music (mostly original), with roots based in the folk traditions of Appalachia and Latin America. They heated up the room with “Kentucky Soul Fly Free” from the new disc, followed by “A Little Bit of Love” and the title track “Down By the Waterside.” Many friends of the band joined for guest spots, including Andrea Davidson. A highlight was the arrangement of the classic “Shady Grove,” featuring John Gage, who was acknowledged by the band for his encouragement early on. They closed with their version of “My Old Kentucky Home” and a Brazilian instrumental featuring lots of percussion and chanting. For those not familiar with Appalatin (are there any of you out there?), this band’s instrumentation includes acoustic guitars, panpipes, percussion, harmonica, bass and more, woven together in a way that is very danceable and enjoyable.