I profiled guitarist Brandon Coleman, in LEO (http://leoweekly.com/music/b-sides-135), and reviewed his album Decisions there (http://leoweekly.com/music/reviews/decisions). He and his friend and fellow University of Louisville School of music alumnus, trumpeter Craig Tweddell, profiled at http://leoweekly.com/music/b-sides-140, brought their bands to the Willis Music Performing Arts Auditorium, at 1850 S. Hurstbourne Pkwy #128, for a CD release show; a review of Tweddell’s Away With Words is scheduled to be published in LEO as well. Tweddell opened, with bandmates Jacob Duncan on alto, Todd Hildreth on electric piano, Jose Areta on bass, and Zack Kennedy on drums. “Grin. And Barret” was old school Blue Note style, with propulsive solos and a hint of “Fly Me to the Moon.” “Slumber” was aptly titled, beginning with a gentle piano solo before the band came in. Tweddell employed his mute for the upbeat “Walkin’ wit Shell” (for his dog), featuring a walking bass line. A highlight was the ballad “Thank You Jonathan Larson,” for the late creator of the musical Rent. It was a slow waltz, with Tweddell again employing his mute to good effect. “Killing Two Birds With One’s Tone” featured incisive soloing by Duncan, who then riffed behind Kennedy’s drum solo. The group closed with “Blueisville,” dedicated to keeping Louisville weird, based on a Monk-ish head, and bringing up Coleman as guest soloist.
Coleman’s quartet, with Diego Lyra on keyboards, Areta returning for bass duties, and Jeff Mellott on drums, opened with “Rewind,” which had a Brazilian feel. “New Blues” was up next, more of a ballad than a straight blues, with the soloists each building in intensity before handing off the lead to the next. “Vast” was more of a mood-creating piece, emphasizing textures over soloing. Three more from the album, “Deimos and Phobos,” a moody piece representing shapes of the moon, “Geometry,” with exploratory guitar over a funky beat, and the title track, “Decisions,” followed. Special props to Areta, who was filling in for a bassist who was ill, and was learning a great deal on the fly. This music is thoughtfully composed, not simple blues licks, and Areta delivered. They closed with a Coleman arrangement of Vince Guaraldi’s “Christmas Time Is Here.” The following night, the bands showcased their work at Cincinnati’s Comet, and they have each released their Comet performances for purchase.