Here are the details about the upcoming UofL Guitar Festival and Competition:

University of Louisville Guitar Festival and Competition – May 24-28, 2012
UofL School of Music, Louisville, KY

Events:

Solo Artist Competition (free choice repertoire all rounds, open to all ages) Youth Competition: Division I (14 years and under) / Division II (15-17 years old) Youth Ensemble Showcase Youth Guitar Orchestra Concerts (10 concerts featuring Adam Holzman, Kapsalis/Ivanovic Guitar Duo, Tantalus Quartet, Huston/Todd Guitar Duo, Lynn McGrath, the Old Toad Guitar Duo, and Brendan Evans) Lectures, Masterclasses, and Workshops (topics include: career counseling, entrepreneurship, Suzuki guitar method, and a faculty round-table discussion)

Featured Guest Artists:

Adam Holzman Kapsalis/Ivanovic Guitar Duo Tantalus Quartet Huston/Todd Guitar Duo Lynn McGrath Old Toad Guitar Duo Brendan Evans Duane Corn Christopher Davis Dennis Davis Dieter Hennings Stephen Mattingly Kevin Shank

Registration Fees:
General Festival Fee: $150. (No additional fee is required for the solo artist competition.)

Youth Weekend Fee: $75. (No additional fee is required for the youth competition.)

Concert Tickets: $50 concert series package / $20 general / $10 students and seniors

General and Youth Weekend registrations cover entry to all concerts and events, including entry into masterclasses and the competitions.

On-campus Housing Fees (optional):

Single, $30 / night – Double, $25 / night for each guest

*Hotels nearby include Days Inn and Quality Inn.

Contact:
Stephen Mattingly, Festival and Competition Director
info@stephenmattingly.com
(502) 852-5607

The deal first reported by the Louisville Orchestra musicians yesterday has been agreed to by all parties. The one-year deal involves a 30-week season, an orchestra with 57 musicians and a budget of $5.3 million, with binding arbitration to secure a long-term deal. The season begins Sept. 8. Dan Klepal has additional details.

Today’s Courier-Journal report on the apparent agreement between the Louisville Orchestra and the musicians reported that the musicians’ spokesperson Kim Tichenor said that there was an agreement, followed a few lines later that quoted LO CEO Robert Berman as saying “We’ll reserve comment until we see the proposal.” Metro Council President Jim King appears to have been the driving force behind the reported agreement.
Given the previous issues between the two groups, we’ll believe it when the ink is dried.

Elizabeth Kramer has a long piece on Joshua.Bell And The Academy Of St. Martin In The Fields, set to play Whitney Hall on Wednesday.

Head over to change.org to sign a petition supporting the Louisville Orchestra Musicians. Post a comment, if you’d like to. It’s kind of late in the game, but hey, nothing else has seemed to work. With the LO Board intent upon hiring non-union musicians as replacements, it’s likely that the only thing that will change that dynamic if is they can’t find enough musical scabs for the jobs. Given the current economy, that’s not likely, either.

The Louisville Orchestra board rejected the latest proposal by the LO musicians and said that they will begin hiring replacement musicians in April and May, according to a press release from the Louisville Orchestra. The Orchestra board also indicated that there would be no more proposals offered to the musicians. Additional details can be found in Elizabeth Kramer’s article in the C-J.

Whatever the resultant orchestra that comes to be as a result of hiring new musicians, there are other consequences that are very likely to occur, including that the LO will remain on the American Federation of Musicians’ “Unfair List,” meaning that replacement musicians will no longer be able to work AFM-certified jobs anywhere in the country. There will also be a serious financial impact on AFM Local 11-637, as the orchestra musicians’ contributions were a significant portion of the Union’s revenue. Replacement musicians will also not wind up with as many extra jobs, as other organizations that previously hired LO musicians will have to take in to consideration their dealing with the AFM and/or their policies about unions and union-busting.

It’s not a pretty picture.

Dan Gediman wrote a lengthy opinion piece for the C-J today, in which he proposes several ideas that the Louisville Orchestra might adopt in order to survive, beginning with a suggestion that the LO Board step and replace itself with a board that has a significant percentage of musicians. He also suggests that the LO downsize to a chamber-music-size orchestra and then begin performing new, commissioned works as well as the material that was originally commissioned by the LO in the Fifties. There are other ideas on the C-J’s website as well. If you are interested at all in the survival of the Louisville Orchestra, his article is well worth the read.

The Louisville Orchestra musicians have offered to agree to arbitration to settle the long-running dispute with the LO board, with conditions, as noted in this article by Elizabeth Kramer. The players have seen their numbers reduced, as some have sought jobs away from the city.

Louisville Magazine columnist Thomas Smille has a few comments about The Arts in Louisville, including the Louisville Orchestra situation, in this month’s edition of the publication. He also mentions Rachel Grimes and Jane Halliday’s co-created “Hear + Now” series as well as Jim Wilhelm’s Cultural Vulture calendar

In today’s C-J, there’s a letter from three LO Board members re-stating the Board’s position on the LO situation.

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